1/14/2024 0 Comments Ocean waves drawing illustrator![]() “All of these forms as they interact with each other are going to flow into one another,” says Case. While you avoid straight lines and defined forms, remember the general shape and flow of your drawing. Wavy lines are more the norm, and if a single line continues unimpeded, add in something to interrupt it and make it more organic. Straight lines are products of architecture and engineering, but natural shapes tend to bend, develop, and branch into other things. Whether it’s water pouring onto something or water on the surface, you want to find ways of organizing small and large forms to make things look more organic.” Avoid uninterrupted lines. “One of the most important things is to use a variety of shapes,” says Case. They are complex, temporary, and always unique. Those waves and splashes are not singular geometric shapes. “If you want to communicate the flow of water, you need to pick areas where you have these nice, soft blowing lines interrupted by these shorter, bubbled areas,” says Case.Ī calm, rippling surface, though, is often interrupted by waves and splashes. “That’s what the surface tension of water looks like.” That surface can flow gently or rapidly, but as it flows you can use bubbles and water ripples to communicate the motion. ![]() “It’s almost like fabric blowing in the wind,” says illustrator and comic artist Jonathan Case. ![]() Sometimes those waves can be small, a few bits of motion upon a surface. The relative stillness or motion of the water will inform how distorted your reflection is, and the direction and intensity of the light source will affect any flares or flashes on that reflection. Reflections in water are transparent and shadowy, so use more muted colors to show that.ĭrawing waves, splashes, and water in motion.Īlmost any ocean or lake has waves. If your watery surface reflects elements like trees or people, think about how the water moves and where your light source comes from. ![]() Rather, an ocean under a summer sky will be only slightly darker than that sky, but still vivid. “If you’re illustrating an ocean or other body of water,” says Newman, “often you want that body of water to reflect the sky a little bit.” A bright blue sky obviously won’t have a dark ocean beneath it. Remember what direction the light is coming from, how intense the light is, and how the light bends and plays over the water’s surface. With water, that light source will usually be the sun or moon, but it can also be the lights from a ship, city, or lighthouse. “Know your light source and stick to your light source,” says artist and illustrator Alyssa Newman. When you draw water, you also draw how light plays on water. Is it a calm ocean with gentle waves beneath a cloud-dotted sky? Is it a placid lake with the barest of ripples? Is it a storm-tossed sea? Regardless of the state of your waterscape, remember that it is always dynamic.Įven the calmest and most peaceful lake or ocean will have some movement and play with light in some way. When you draw water as part of a landscape, first determine what’s happening on the water’s surface. To successfully draw water, an artist must become like water: constantly flowing, constantly adapting, and always aware of motion and light.ĭrawing oceans, lakes, seascapes, and ponds. There is no single color, shade, or shape of water.
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